We interview Anh-Thu Nguyen on Kingdom Hearts as a digital Disneyland and discuss Dan Hughes' latest article on the nature of Xemnas in KH2.
Aaron Suduiko is the Founder and Chief Video Game Analyst of With a Terrible Fate. He specializes in the relationship between player and avatar, and the myriad ways in which that relationship centrally influences the stories of video games.
The heart of Suduiko's philosophy of video-game fiction is his theory of "the fictional player": according to this view, the player's role in a video game is not that of identification with the game's avatar; instead, the player plays a separate, more metaphysically foundational fictional role that makes possible events within a video game's story actual, similar to Leibniz's conception of god. Suduiko's application of this view in his analyses on With a Terrible Fate have led to novel interpretations of games such as Bloodborne, Dark Souls, Dishonored, NieR, Returnal, Xenoblade Chronicles, BioShock Infinite, Code Vein, Final Fantasy VII Remake, Ni No Kuni, and Silent Hill. The foundations of the fictional player theory may be found in the Journal of the Philosophy of Games: https://journals.uio.no/JPG/article/view/4799/5504
Suduiko graduated Harvard College in 2017 with high honors in his major, philosophy. Part of his degree included three independent studies on the storytelling of video games, advised by philosophy professors. In his senior year, he wrote an honors thesis on the ontology of video games as a storytelling object, earning high honors for the written work and highest honors for his oral defense of it.
Suduiko has shared his work on the philosophy of video-game storytelling at a variety of venues, including: Harvard’s philosophy department; PAX West, PAX East, PAX South, and PAX Aus; Harvard’s annual ARTS FIRST festival; the British Society of Aesthetics’ postgraduate conference; and SUNY Oneonta’s undergraduate philosophy conference. An article adapted from a chapter of his thesis on the ontology of video-game storytelling was published in the peer-reviewed Journal of the Philosophy of Games. His work on the aesthetics of quantum mechanics in BioShock Infinite was published in Cornell’s undergraduate philosophy journal, Logos. He’s spoken with the lead librarians at Harvard about the literary value of video games and the need to make them available as library resources.
Suduiko started analyzing video games in his senior year of high school, when he compared and contrasted the role-playing dynamics of video games and stage plays. After he started his degree in philosophy in 2014 and heard about the 3D remake of Majora’s Mask, he created With a Terrible Fate as a personal blog analyzing the philosophical and artistic value of Majora’s Mask. Since then, he’s grown With a Terrible Fate into a publication of video game analysts striving to understand the stories of video games in new, rigorous, illuminating ways.
If you don’t see a new article by Suduiko on any given day, he’s probably busy gaming.
Episode 2 of WaTF's podcast covers origin stories, player-avatar relations, the challenges of Valhalla, and the ethics of game libraries.
In the first episode of WaTF's podcast, we introduce ourselves and the project and discuss Nier, Returnal, and "games as rent."
Announcing a new weekly video-game storytelling analysis podcast by With a Terrible Fate.
Meet Adam Bierstedt, With a Terrible Fate's resident historian, and learn what video games have in common with a 14th-century manuscript.
Ni No Kuni quietly tricks its adult player into curing both herself and the White Witch of cynicism.
Get to know Caymus Ducharme, known for analyzing The Witness, NieR: Automata—and vehemently believing video-game stories can surpass Hamlet.
With a Terrible Fate's analysts discuss the two most recent articles in "The Legacy of Final Fantasy VII Remake"—and one upcoming article!
Get to know Lauren Spohn: Legend of Zelda superfan, pilot, Rhodes Scholar, and video game analyst.
We asked four of our video game analysts: how would you rank the Top 5 video-game stories you experienced in 2020?