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“You are not Stanley”: Cyranoids in “The Stanley Parable.”
"The Stanley Parable," the Milgram experiments, and the ins-and-outs of avatar identity.
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The Many Worlds of Games: “Dishonored,” “Europa Universalis,” “The Stanley Parable,” and Quantum Physics
Find out where video games and quantum mechanics intersect, and why it matters.
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Only through Corvo’s Eyes: Why video games can only be told through one perspective.
The DLC of "Dishonored" gives us pause to consider what video games logically can and cannot do.
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Video Games versus Cinema: Comparing “Xenoblade Chronicles” to “Stranger than Fiction.”
Are there some stories that can ONLY be coherently told through the medium of video games? Read on to find out.
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From the Floor of PAX East, Part II: The Aesthetics of User Interfaces.
Game design, virtual reality, and User Interface theory, as seen at PAX East.
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From the floor of PAX East 2015, Part I: On GeekNights’ “What is Losing?!”
In the first of my commentaries on PAX East, I critique GeekNights' panel on losing in video games.
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When are Dunwall and Scotland like your School? Throwback Analysis of “Dishonored,” Part III.
The one chance you might get to read a critique of education based on video games and theater.
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The Bard and Bethesda: Throwback Analysis of “Dishonored,” Part II.
How is Corvo Attano like Macbeth? The second part in my older work on "Dishonored" has the answer.
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A Tribute to Leonard Nimoy: why voice acting matters in the case of Master Xehanort.
Paying tribute to Leonard Nimoy with a look at his work in "Kingdom Hearts."
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Reversing Time: Throwback Analysis of “Dishonored,” Part I.
Setting the stage for a new theory of "Dishonored" with a Throwback Thursday to my older work on the game.