The payoff for the Salesman’s last words, and the place they establish for the player in Termina and beyond, might be bigger than you expect.
Exploring the anomaly of Them in “Majora’s Mask” in comparison to the First Civilization of “Assassin’s Creed.”
A close look at a character who lives by the clock, in a world that lives by the clock.
What is the difference between playing “Majora’s Mask” on a stationary console and playing it on a portable console?
In this piece, I analyze Skull Kid as a character, and question whether he ought to be forgiven for his actions.
I apply the theory developed over the course of the series thus far in an analysis of the iconic line, “You’ve met with a terrible fate, haven’t you?”
Discussing a Happy New Year, and analyzing the Happy Mask Salesman.
A first pass at what Darmani and Mikau can teach us about heroism in Termina.
In the first of three posts about the Song of Healing, I argue that Deku Link offers us unique insight into video games as an aesthetic object.
With the background of Kaepora Gaebora, I take a first pass at sketching a Majoran thesis of free will / determinism.