A Comprehensive Theory of Majora's Mask
“Wait a minute Mister Postman”: the problem of Termina in a single man.
A close look at a character who lives by the clock, in a world that lives by the clock.
A close look at a character who lives by the clock, in a world that lives by the clock.
What is the difference between playing "Majora's Mask" on a stationary console and playing it on a portable console?
In this piece, I analyze Skull Kid as a character, and question whether he ought to be forgiven for his actions.
I apply the theory developed over the course of the series thus far in an analysis of the iconic line, "You've met with a terrible fate, haven't you?"
Discussing a Happy New Year, and analyzing the Happy Mask Salesman.
A first pass at what Darmani and Mikau can teach us about heroism in Termina.
In the first of three posts about the Song of Healing, I argue that Deku Link offers us unique insight into video games as an aesthetic object.
With the background of Kaepora Gaebora, I take a first pass at sketching a Majoran thesis of free will / determinism.
"Majora's Mask" contains a thesis on how groups are marginalized by society. Here, I argue that the ease with which one can miss this game element is precisely what makes its content so impactful.
In this post, I explore what about "Majora's Mask" and the world of Termina makes death more imminent and haunting than any other "Zelda" title could.