A Comprehensive Theory of Majora's Mask
This is why Anju and Kafei are the most important citizens of Termina.
In the last of my analyses of the original "Majora's Mask," I argue that Anju and Kafei are central to the game's artistic value.
In the last of my analyses of the original "Majora's Mask," I argue that Anju and Kafei are central to the game's artistic value.
I play my own "Song of Time" by offering the first of my analyses of "Majora's Mask," which came years before "With a Terrible Fate."
"With a Terrible Fate" takes on the Elegy of Emptiness, inspiration of the infamous "BEN drowned."
The payoff for the Salesman's last words, and the place they establish for the player in Termina and beyond, might be bigger than you expect.
In this piece, I analyze Skull Kid as a character, and question whether he ought to be forgiven for his actions.
I apply the theory developed over the course of the series thus far in an analysis of the iconic line, "You've met with a terrible fate, haven't you?"
Discussing a Happy New Year, and analyzing the Happy Mask Salesman.
In this post, I take a first pass at articulating the rationale behind my approach to "Majora's Mask," and what I am ultimately after with this tack of video game analysis.
Given the analysis I have offered of the Song of Healing, how can we account for the fact that Link cannot use the song to heal Skull Kid / Majora?
A first pass at what Darmani and Mikau can teach us about heroism in Termina.