A Comprehensive Theory of Majora's Mask
Aliens, cows, and “Assassin’s Creed”: what works, and what doesn’t.
Exploring the anomaly of Them in "Majora's Mask" in comparison to the First Civilization of "Assassin's Creed."
Exploring the anomaly of Them in "Majora's Mask" in comparison to the First Civilization of "Assassin's Creed."
A close look at a character who lives by the clock, in a world that lives by the clock.
In this piece, I analyze Skull Kid as a character, and question whether he ought to be forgiven for his actions.
I apply the theory developed over the course of the series thus far in an analysis of the iconic line, "You've met with a terrible fate, haven't you?"
Discussing a Happy New Year, and analyzing the Happy Mask Salesman.
Given the analysis I have offered of the Song of Healing, how can we account for the fact that Link cannot use the song to heal Skull Kid / Majora?
A first pass at what Darmani and Mikau can teach us about heroism in Termina.
In the first of three posts about the Song of Healing, I argue that Deku Link offers us unique insight into video games as an aesthetic object.
I model Termina and Link through Buddhist philosophy, and move towards explanations of masks and their Salesman.
With the background of Kaepora Gaebora, I take a first pass at sketching a Majoran thesis of free will / determinism.